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Uncertainty about financial advantagesĬhoose NO MORE THAN THREE WORDS for each answer. Write numbers, i- ix, in boxes 28-33 on your answer sheet.
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The Reading Passage "The end of the silver screen?" has six paragraphs A–F.Ĭhoose the correct heading for each paragraph from the list of headings below.
#SILVER SCREEN CINEMA TV#
This is not that different from the large-screen TV system that was set up in New York in 1930, and John Logie Baird's experiments with TV in the late 1920s and early 30s. HD Thames is looking at reinventing the existing cinema market, moving towards e-theatre, which would use digital video and projection to present plays, musicals and some sporting events to the public. This view has prompted some pro-digital entrepreneurs to take a slightly different approach. Thus for that to work, cinemas have to be showing the films because cinemas are the engine that drives the film industry.'į. 'E-cinema is seen as a way of saving money because print costs a lot,' he says. One expert says that existing cinemas will have to show the new material and not all of them will readily or rapidly furnish themselves with the right equipment. Even the money-saving aspect of e-cinema is doubted.
#SILVER SCREEN CINEMA MOVIE#
In 1989, the director of the first full-length American digital high-definition movie admitted that the picture had a 'stark, strange reality to it'.Į. A recurring criticism of video is that it may be too good: uncomfortably real, rather like looking through an open window. But those who support the old-fashioned approach to film point to the celluloid medium's quality of warmth. And what about the effects of the new medium? The main selling point of digital cinema is the high resolution and sharpness of the final image. Digital cinema refers to the physical capture of images e-cinema covers the whole chain, from production through post-production (editing, addition of special effects and construction of soundtrack) to distribution and projection.ĭ. This may appear a minor point, but the choices, 'digital' cinema and 'electronic' cinema (e-cinema), suggest different approaches to, and aspects of, the business. With such a major technological revolution on the horizon, it seems strange that the industry is still not sure what to call itself. Supporters say this will make considerable savings at all stages of this chain, particularly for distribution.Ĭ.
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High-resolution digital projectors would then show the film.
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The aim is not only to produce and prepare films digitally but to be able to send them to movie theatres by digital, electronic means. This will involve revolutionising not just how films are made but also how they are distributed and presented. Now that we are in the second century of cinema, there are moves to bring the medium right up to date. They are also displayed with projectors and screens that seem to belong to our great-grandparents' generation.ī. Yet they are still stored on celluloid film, the basis of which is more than 100 years old.
#SILVER SCREEN CINEMA FULL#
Today's films are full of digital sound and computer-generated special effects. It is high-tech and old-fashioned at the same time. Cinema technology has remained much the same for over a century, so when will it go digital? Kevin Hilton views the projections.Ī.